In my art practice, I explore themes such as mother and child, emotions, nature and abstract through painting, photography, digital art, installation and video. I explore the changes of natural elements and energy.  The invisible energy comes from the source and is close to eternity. It is extremely calm and without traces. It cannot be accurately described in all human words. Therefore, I try to present it on the easel painting and dynamic art form with abstraction and impression. For me, as in the life of an artist, art has only been self-burning. The inner of her artist life is also in a spiral state, and there is no end in sight. I explore and depicts the spirit in the distance and creativity in the reach of art. In my opinion, it seems that only the spirit itself is art. My works explore the ideas behind the relationship with human and nature aspects of consciousness.  I think energy which is the presence, and everything is circulation. It is a mysterious power to connect my life and influence my mind. 

'Whether an audience can achieve an emotional or spiritual connection through art? 'As a mother, during my process of getting pregnant and raising two children, I felt the fragility and preciousness of human life. I discuss the relationship between the mother and child to explore the emotional and spiritual connection through art. I believe love is the foundation of our life so that we can build other love on this foundation. I witness the growth of children and incorporate my children into my art practice. I explore the classical religious iconography of mother and child. Yet, I hate separation during the London period. I paint both separation and connection because as a mother, my children are living in a different country.  I reference the idea of mother and child about tenderness; loss, joy, and sadness, emotions which mixed in together. Even, then being able to access your family, what that means, and what it means to be a mother in the 21st century. The feeling of mother and child revealed through artistic creation and imagination to paint my self-portrait, my daughter, and my son. the classical religious iconography of mother and child. ​As Taiwanese mother in this generation, I want to create the Madonna and Child with the Asian style, exploring the gaze and background to discuss the relationship the mother and child.  Therefore, I use the concept of "transformation "and "hybridization" to explore the idea of race, gender, cultural identity to reflect the complexity of the image in the 21st contemporary world.

In my works, it explores my life including my personal history, perspective the flow and interlacing of energy. Regarding the circle, it is balancing, generating, influence people with each other in this world. Everything comes from the past, and the future will discover in the present. 


觀眾是否可以通過藝術達到情感或精神上的聯繫? `作為母親,在懷孕和撫養兩個孩子的過程中,我感受到了人類生活的脆弱和珍貴。我討論了母子關係,以期通過藝術探索情感和精神上的聯繫。我相信愛是我們生活的基礎,因此我們可以在此基礎上建立其他的愛。我見證了孩子們的成長,並將我的孩子們融入我的藝術實踐中。我探索母子的經典宗教肖像畫。但是,我討厭我在倫敦時期的分離。我描繪了分離和聯繫,因為作為母親,我的孩子住在另一個國家。我參考母子關於柔情的想法。失落,喜悅和悲傷,各種情緒交織在一起。甚至,如果能夠與您的家人接觸,那意味著什麼,以及成為21世紀母親的意義。通過藝術創作和想像力展現了母親和孩子的感覺,以描繪我的自畫像,女兒和兒子。母親和兒童的古典宗教肖像。作為這一代的台灣母親,我想創造一種具有亞洲風格的麥當娜和孩子,探索凝視和背景來討論母子關係。因此,我使用“轉變”和“雜交”的概念來探索種族,性別和文化身份的觀念,以反映21世紀當代世界中圖像的複雜性。