In my artistic practice, I explore themes of motherhood, emotional intimacy, nature, and abstraction through painting, photography, digital art, installation, and video. At the heart of my work lies a fascination with the invisible energy that flows through natural elements—an eternal force that is serene, traceless, and beyond verbal articulation. This energy becomes the subject of my visual language, expressed through abstraction and impression in both traditional and time-based media.I view art as a spiritual pursuit. The essence of creativity lies in the invisible and the ineffable, and I aim to visualize this spirit through gestures of color, line, and form. My work investigates the relationship between human consciousness and the natural world, seeking to convey a sense of interconnectedness, subtle presence, and transformation. My process is deeply intuitive, driven by bodily memory, emotional resonance, and lived experience. I believe that the core of artistic creation begins with the most basic elements—point, line, surface—and expands outward into layered expressions of light, shadow, and sensation. Working across media allows me to explore these themes through multiple dimensions, drawing connections between interior feeling and external form.
 

About the Abstract Series

“Mother Flora” is an ongoing series of abstract paintings that examines the intertwined forces of motherhood, nature, and emotional intuition. Rooted in my experience of living between Taipei and London, the work reflects a hybrid sensibility shaped by East Asian aesthetics and Western painterly tradition.

Through fluid lines, layered textures, and rhythmic brushstrokes, I explore the psychological and spiritual ties between the feminine body and the organic world. Each composition emerges from internal sensations—memory, breath, movement—allowing the canvas to become a site of both emergence and reflection.

In an era marked by ecological instability and social fragmentation, Mother Flora offers a quiet form of resistance and reconnection. It seeks to restore a maternal bond with the land, with ancestral memory, and with the self. These paintings are offerings—intimate and contemplative—calling us to remember the wisdom of nature within us.

About the Emotion Series

'Whether an audience can achieve an emotional or spiritual connection through art? 'As a mother, during my process of getting pregnant and raising two children, I felt the fragility and preciousness of human life. I discuss the relationship between the mother and child to explore the emotional and spiritual connection through art. I believe love is the foundation of our life so we can build other love on this foundation. I witness the growth of children and incorporate my children into my art practice. I explore the classical religious iconography of mother and child.  I reference the idea of mother and child about tenderness; loss, joy, and sadness, emotions mixed in together. Even, then being able to access your family, what that means, and what it means to be a mother in the 21st century. The feeling of mother and child is revealed through artistic creation and imagination to paint my self-portrait, my daughter, and my son. the classical religious iconography of mother and child. ​As a Taiwanese mother in this generation, I want to create Madonna and Child in the Asian style, exploring the gaze and background to discuss the relationship between the mother and child.  Therefore, I use the concept of "transformation "and "hybridization" to explore the idea of race, gender, and cultural identity to reflect the complexity of the image in the 21st contemporary world.

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My works explore my life including my personal history, perspective flow, and interlacing of energy. Regarding the circle, it is balancing, generates, and influences people with each other in this world. Everything comes from the past, and the future will discover in the present. 

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