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In my art practice, I explore themes such as mother and child, emotions, nature, and abstract through painting, photography, digital art, installation, and video. I explore the changes in natural elements and energy.  The invisible energy comes from the source and is close to eternity. It is extremely calm and without traces. It cannot be accurately described in all human words. Therefore, I try to present it on the easel painting and dynamic art form with abstraction and impression.  I explore and depict the spirit in the distance and creativity in the reach of art. In my opinion, it seems that only the spirit itself is art. My works explore the ideas behind the relationship between human and natural aspects of consciousness. 
 

About the Abstract Series

“Mother Flora” is an ongoing series of abstract paintings that explores the intertwined forces of motherhood, nature, and emotional intuition. Rooted in my experience of living between Taipei and London, my work reflects a hybrid sensibility shaped by East Asian philosophy and Western painterly tradition.
Through fluid lines, layered textures, and rhythmic brushstrokes, I express the psychological and spiritual ties between women and the organic world. Each composition arises from internal sensations and bodily memory, allowing the canvas to become a space of both emergence and reflection.
In a time of ecological instability and social fragmentation, I seek to restore a sense of maternal connection with the land, with history, and with the self. My paintings are offerings of intimacy and resistance, quiet but persistent in their call to remember the wisdom of nature within us.”


About the Emotion Series

'Whether an audience can achieve an emotional or spiritual connection through art? 'As a mother, during my process of getting pregnant and raising two children, I felt the fragility and preciousness of human life. I discuss the relationship between the mother and child to explore the emotional and spiritual connection through art. I believe love is the foundation of our life so we can build other love on this foundation. I witness the growth of children and incorporate my children into my art practice. I explore the classical religious iconography of mother and child.  I reference the idea of mother and child about tenderness; loss, joy, and sadness, emotions mixed in together. Even, then being able to access your family, what that means, and what it means to be a mother in the 21st century. The feeling of mother and child is revealed through artistic creation and imagination to paint my self-portrait, my daughter, and my son. the classical religious iconography of mother and child. ​As a Taiwanese mother in this generation, I want to create Madonna and Child in the Asian style, exploring the gaze and background to discuss the relationship between the mother and child.  Therefore, I use the concept of "transformation "and "hybridization" to explore the idea of race, gender, and cultural identity to reflect the complexity of the image in the 21st contemporary world.

My works explore my life including my personal history, perspective flow, and interlacing of energy. Regarding the circle, it is balancing, generates, and influences people with each other in this world. Everything comes from the past, and the future will discover in the present

在藝術實踐中,我通過繪畫,攝影,數位藝術,裝置和視頻探索母子,情感,自然和抽像等主題。我探索自然元素和能量的變化。無形的能量來自源頭,接近永恆。這是非常平靜,沒有痕跡。不能用所有人類的語言準確地描述它。因此,我嘗試將其以抽象和印象的形式呈現在畫架繪畫和動態藝術形式上。在我看來,似乎只有精神本身就是藝術。我的作品探索了與人類和自然意識方面的關係背後的思想。

 

關於抽象系列

「花神母親」是一個持續創作的抽象繪畫系列,探索母性、自然和情感直覺之間交織的力量。我的作品根植於我在台北和倫敦兩地生活的經歷,體現了一種融合了東亞哲學和西方繪畫傳統的情感。透過流暢的線條、層次豐富的紋理和富有節奏的筆觸,我表達了女性與有機世界之間心理和精神的聯繫。每一幅作品都源自於內在的感受和身體記憶,讓畫布成為一個既湧現又反思的空間。在這個生態不穩定和社會分裂的時代,我尋求恢復一種母性的連結──與土地、與歷史、與自我。我的畫作傳遞著親密與反抗,它們靜靜地卻又執著地呼喚著我們銘記內心自然的智慧。
 

關於情感系列
觀眾是否可以通過藝術達到情感或精神上的聯繫?

作為母親,在懷孕和撫養兩個孩子的過程中,我感受到了人類生活的脆弱和珍貴。我討論了母子關係,以期通過藝術探索情感和精神上的聯繫。我相信愛是我們生活的基礎,因此我們可以在此基礎上建立其他的愛。我見證了孩子們的成長,並將我的孩子們融入我的藝術實踐中。我探索母子的經典宗教肖像畫。

 

我參考母子關於柔情的想法。失落,喜悅和悲傷,各種情緒交織在一起。甚至,如果能夠與您的家人接觸,那意味著什麼,以及成為21世紀母親的意義。通過藝術創作和想像力展現了母親和孩子的感覺,以描繪我的自畫像,女兒和兒子。母親和兒童的古典宗教肖像。

 

作為這一代的台灣母親,我想創造一種具有亞洲風格的麥當娜和孩子,探索凝視和背景來討論母子關係。因此,我使用「轉變」和「融合」的概念來探索種族,性別和文化身份的觀念,以反映21世紀當代世界中圖像的複雜性。

在我的作品中,它探索了我的生活,包括我的個人歷史,透視能量的流動和交織。關於循環,它在這個世界上正在彼此之間平衡,產生,影響人們。一切都來自過去,未來將在現在發現。

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